Karlin Tribute Gains Support at ASCAP

Posted July 28, 2008

Veteran ASCAP Board member Doug Wood has indicated he “completely supports” adding Fred Karlin’s name to the title of the ASCAP film scoring workshop to honor Karlin, the legendary composer who created the workshop in 1988

Local 47 Withholds $10K AFM National Dues

Posted July 28, 2008

Pursuant to a court order in the lawsuit brought by Los Angeles recording musicians against Local 47 and the American Federation of Musicians, Local 47 has withheld $10,094.71 of dues payable to the AFM national office for June union musician wages pending a resolution of the lawsuit

Steinberg Ships Sequel 2 and Add-on Content

Posted July 28, 2008

Steinberg North America announced the shipping of Sequel 2, a new version of Steinberg’s music creation and live performance software

Tascam Ceases Giga Development as of July 21; Sales And Support End December 31

Posted July 22, 2008

TASCAM Marketing Manager Jeff Laity confirmed today on an industry news site that Tascam has ceased development of GIGASTUDIO and GIGASTUDIO related products as of July 21. Sales and support for the products will continue through December 31, 2008

Music Emmy Nominations Announced

Posted July 21, 2008

Nominations for the 60th Primetime Emmy® Awards, covering the period of June 1, 2007 through May 31, 2008, were announced by the Academy of Television Arts & Sciences

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COMPOSER SIGNINGS

 

Hans Zimmer Signed For “Angels and Demons”

Posted August 25, 2008

Unsurprisingly, Hans Zimmer has been hired to score Angels and Demons for director Ron Howard, following up their smash hit film version of The DaVinci Code from 2006. Zimmer’s involvement in the sequel has just been confirmed by the Gorfaine-Schwartz Agency. Tom Hanks returns as Doctor Robert Langdon in the Dan Brown story which revolves [...]

“Ninja Assassin” Gets an Original Score by Ilan Eshkeri

Posted August 25, 2008

Ninja Assassin, the upcoming Warner Bros. action picture produced by Joel Silver and the Wachowski brothers, gets an original score by Ilan Eshkeri, an up and coming composer best known for his Stardust score and the music for Hannibal Rising. James McTeigue, who directed the previous Silver/Wachowski production V for Vendetta, is helming Ninja Assassin, [...]

James Newton Howard Will Score “Love Ranch”

Posted August 25, 2008

James Newton Howard reunites with veteran director Taylor Hackford, for whom he scored The Devil’s Advocate in 1997. Currently in post-production, their new film together is called Love Ranch and it’s a drama based on a true story about the married couple who opened the first legal brothel in Nevada. Gil Birmingham, Gina Gershon, Joe [...]

“The Informers” To Be Scored by Christopher Young

Posted August 25, 2008

Spider-Man 3 composer Christopher Young has now included The Informers in his filmography on his official web site. This is the film version of the Bret Easton Ellis’ novel featuring seven different stories of various morally challenged characters - the tagline of the movie is “Greed is good. Sex is easy. Youth is forever.” The [...]

Laura Karpman Teams with The Roots for “Center Stage 2″

Posted August 18, 2008

Laura Karpman and hip-hop group The Roots collaborate on the soundtrack for Center Stage 2, Sony Pictures and Laurence Mark Productions’ follow up to the 2000 picture which took place at the American Ballet Academy in New York. The sequel stars Rachele Smith, Kenny Wormald and Sarah Jayne Jensen and is directed by Steven Jacobson, [...]

See more Composer Signings in the archive

Technology

Are Composers To Blame For GigaStudio’s Demise? Some Observations.

By Peter Alexander

Peter Alexander reviews the history of Giga products - what went right, what went wrong, and what key opportunities were missed

Chart Doctor

Creating In Spite Of Your Computer

By Ron Hess

Ron Hess talks about computers and the creative process

On The Score

AUDIO: On The Score with Paul Haslinger and Paul W.S. Anderson

By Daniel Schweiger

Film music journalist Daniel Schweiger interviews composer PAUL HASLINGER and writer-director PAUL W.S. ANDERSON, who put pedal to the metal for DEATH RACE.

Final Note

Ten Questions for Composers Investing in Technology

By Mark Northam

Mark Northam lists 10 questions every composer should ask manufacturers of technology they’re considering investing in for their studios.

Opinion

Ebony and Ivory: The Door Only Swings One Way

By Samm Brown III

Composer and producer Samm Brown III talks about the challenges of African-American film composers in Hollywood today.

Royalty Checks

ASCAP’s MediaGuide: Will It Identify Your Music?

By Mark Holden

Mark Holden and guests take a close look at ASCAP’s multi-million dollar MediaGuide detection system.

CD Reviews

CD Review: Wanted and Hellboy II

By Daniel Schweiger

Daniel Schweiger reviews Danny Elfman’s scores for Hellboy II and Wanted

CineRadio

CineRadio Top-20 for June, 2008

By Beth Krakower

Indiana Jones and the Kingdom of the Crystal Skull tops the CineRadio Top-20 film music radio airplay chart for the second month in a row

Featured Video

John Williams Scoring Saving Private Ryan

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